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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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AUTRES
Vous avez sélectionné:
Sign of the Times
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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As It Was
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1175481 By Harr…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1175481 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. Pop. 15 pages. StringfulScores.com #775622. Published by StringfulScores.com (A0.1175481). 'As It Was' from Harry Styles' recent GRAMMY award-winning album 'Harry's House' arranged for String Trio (optional Violin2/Viola parts) by Aaron Bennett.This arrangement retains the original key and offers melodic and rhythmic interest for all instruments. A chart topping Styles hit with strong 80's dance vibes that'll be sure to get your listeners' feet tapping!This song is also available for String Quartet, String Duo (Violin & Cello), Violin Duet and Cello Duet. Other Harry Styles arrangements include Sign of the Times, Watermelon Sugar and Adore You. View all Harry Styles arrangements on the Stringful Scores YouTube playlist!Popular arrangements by Aaron Bennett:⢠If I Ain't Got You (Alicia Keys)       ⢠Sign of the Times (Harry Styles)⢠Wrecking Ball (Miley Cyrus)         ⢠Flowers (Miley Cyrus)⢠What About Us (Pink)              ⢠Dancing On My Own (Robyn) ⢠Wildest Dreams (Taylor Swift)       ⢠Bridgerton Title Theme (Kris Bowers)⢠Here Comes The Sun (The Beatles)  ⢠Marry You (Bruno Mars)   ⢠As It Was (Harry Styles)             ⢠Watermelon Sugar (Harry Styles)⢠Anyone (Justin Bieber)             ⢠Blinding Lights (The Weeknd)    ⢠Simply The Best (Tina Turner)       ⢠Conversations in the Dark (John Legend)For more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99
14.92 €
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Trio à Cordes: violon, alto, violoncelle
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Harry Styles
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Aaron Bennett
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As It Was
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StringfulScores.com
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SheetMusicPlus
Watermelon Sugar
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1239610 By Harr…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1239610 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged by Aaron Bennett. Funk,Pop,Wedding. 18 pages. StringfulScores.com #834989. Published by StringfulScores.com (A0.1239610). Watermelon Sugar from Harry Stylesâ popular 2019 album Fine Line arranged for String Trio (optional separate Violin 2 and Viola parts) by Aaron Bennett. The smash hit that became Stylesâ first number-one single on the Billboard Hot 100 and later won him a Grammy and Brit Award in 2021. This arrangement stays close to the original with plenty of funky rhythmic energy and melodic interest for all players. A contemporary summer number thatâs guaranteed to get your listeners grooving! This song is also available for String Quartet and String Duo (Violin & Cello). Other Harry Styles arrangements include Sign of the Times, As It Was and Adore You. View all Harry Styles arrangements on the Stringful Scores YouTube playlist!Popular arrangements by Aaron Bennett:⢠If I Ain't Got You (Alicia Keys)       ⢠Sign of the Times (Harry Styles)⢠Wrecking Ball (Miley Cyrus)         ⢠Flowers (Miley Cyrus)⢠What About Us (Pink)              ⢠Dancing On My Own (Robyn) ⢠Wildest Dreams (Taylor Swift)       ⢠Bridgerton Title Theme (Kris Bowers)⢠Here Comes The Sun (The Beatles)  ⢠Marry You (Bruno Mars)   ⢠As It Was (Harry Styles)             ⢠Watermelon Sugar (Harry Styles)⢠Anyone (Justin Bieber)             ⢠Blinding Lights (The Weeknd)    ⢠Simply The Best (Tina Turner)       ⢠Conversations in the Dark (John Legend) For more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99
14.92 €
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Trio à Cordes: violon, alto, violoncelle
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Harry Styles
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Aaron Bennett
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Cello)
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Watermelon Sugar
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StringfulScores.com
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SheetMusicPlus
Sign Of The Times
Trio à Cordes: violon, alto, violoncelle
By Harry Styles. By Alex Salibian, Jeff Bhasker, Mitch Rowland, Ryan Nasci, Tyler Jo…
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By Harry Styles. By Alex Salibian, Jeff Bhasker, Mitch Rowland, Ryan Nasci, Tyler Johnson, and Harry Styles. Arranged by Aaron Bennett. Contemporary, Film/TV, Pop. Score and parts. 14 pages. Aaron Bennett #709977. Published by Aaron Bennett
$15.99
14.92 €
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Trio à Cordes: violon, alto, violoncelle
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Harry Styles
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Aaron Bennett
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Sign Of The Times
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Aaron Bennett
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SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.87 €
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Trio à Cordes: violon, alto, violoncelle
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
26.08 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
12 Sacred Trios (or Duets) for Strings
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.922…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.922034 Composed by Various composers and traditional melodies. Arranged by Denny Glasscock. Christian,Instructional,Sacred,Wedding. Score and parts. 93 pages. Denny Glasscock #5996969. Published by Denny Glasscock (A0.922034). This is a collection of 12 Trios (or Duets) arranged for Violin, Viola and Cello, based on melodies of beloved traditional christian hymns. Melodies are harmonized mostly by interweaving counter melodies. The Violin and Viola (or Violin II) are, at times, alternating melody and counter melodies, rather than the traditional vocal parts found in church hymnals. The result is a more interweaving flow of melody and counter melody. The Cello provides the bass, as it also contributes to the counter melodious sound. A Violin II part has been added to duplicate the Viola, in case a Viola is not available. These pieces also work very nicely as duets without the Cello; or duets with the Violin and Cello. Designed for early intermediate musicians, the collection is ideal for prelude or postlude music and especially offertories in worship services, funerals, weddings, etc . Length of the pieces can be altered by using more or less of the repeats included. The last two pieces are based on melodies from Christmas hymns. In addition, these pieces have a technical training value, as would etudes and exercises, due to the moving counter melodies that may challenge students at the early intermediate level. Though written to challenge students at the early intermediate level, more advanced musicians and audiences will find this music quite satisfying to play and enjoy, respectively. String class teachers may consider using this collection in class, as the entire Violin, Viola or Cello sections will be in unison, as a section, which provides support to players within their section. At same time, the other sections would be playing other parts, also in unison as a section - a good ensemble practice tool. The class might perform pieces from this collection in concert. Titles: Count Your Blessings, I Must Tell Jesus, In the Garden, Jesus Loves Even Me, Let All Things Now Living, O How I Love Jesus, O the Deep, Deep Love of Jesus, Take Time to be Holy, The Old Rugged Cross, This is My Father's World; and two Christmas pieces: It Came Upon a Midnight Clear and Silent Night! Holy Night!
$12.99
12.12 €
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Trio à Cordes: violon, alto, violoncelle
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Various composers and traditional melodies
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Denny Glasscock
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12 Sacred Trios
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Denny Glasscock
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SheetMusicPlus
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